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Bringing
it to Life...The Memorial will contain bronzes
depicting our soldiers in battle dress in different positions.
These life size bronzes will be at ground level so they may be interactive
with the public visiting the Memorial and those who wish to take pictures as
a remembrance.
Everything in the design of this Memorial is about the troops and Central
Command. The architecture, the colors, the statues and the
landscaping. All reflect the AOR and the missions of Central Command.
It was decided by the Memorial Board the work of Colorado artist Scott
Stearman would be most appropriate for the project.
Scott Stearman is known for his work on many
projects. One in particular, "Tears from a Grateful Heart"
is at the Veterans Memorial at
Warren Ohio. A smaller desk size version of that statue was
presented to Gen. Henry Shelton upon his taking command as Chairman of
the Joint Chiefs.
Below is a preliminary sketch of one of the prospective designs as suggested
by personnel at Ft. Carson. Ft. Carson is close to Scott's Studio and they
have been most helpful and have shown excited interest in this project
Communication is
my first consideration when creating a sculpture. I believe that any
worthwhile artistic effort must be focused on the communication of
ideas and reflects the philosophy and ideals of the artist or the
client. Art should
provide clarity, illumination, and understanding; deeper insight into
the wonders of life and love and faith.
When someone looks at the
work I create over my lifetime, I want them to see a sincere body of
work that reflects a lifetime spent listening to the whispers of the
soul.
The STORY BEHIND THE FIGURES...
Here is some detailed description of some of the features on the male
soldier of the CENTCOM Memorial. The figure of the male soldier (SPC Ontario
Washington) is presented as a combat troop.
I wanted to create an image that
reflects the soldier as if he has just returned from a patrol…like he’s been
walking the streets of Baghdad and came directly to the memorial to honor
his friends.
Here are some of the details:
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The soles of his boots are worn. These are literally “boots on the ground”.
His Camelback is empty…he has spent himself today in his duty.
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One dog tag is visible in the laces of his left boot.
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He holds his gloves in a clinched fist of resolve. His watch on his vest is upside down to the observer, but
correct for him.
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The time on his watch is set to 9:11. His right shoulder is clear of gear to not interfere with his
rifle aim. His weapons are an M4 Carbine and an M9 Beretta. He wears one knee pad on his right knee. He wears a wedding ring…he has a family. His eyes are fixed on the wall. The legs of his
BDU's are not tucked into his boots for
ventilation in the hot air….not militarily correct…but it’s accurate.
Many visitors to my studio have asked, “Why is the flag patch backwards?”
Most people expect the flag to be presented with the star
field on the left. On the right shoulder of the sculpture, the stars are
on the right As it is presented on the sculpture, it is militarily
correct. My answer is, “Stars forward…always advancing, never retreating.”
The hands of Washington are sculpted around life casts of CWO
Ken Umbwest, 10th Special Forces-Airborne. He has seen duty in
Afghanistan and Iraq.

Sgt. Amy Perkins is presented as a
support troop. She has done two tours in Iraq as an Arabic interpreter. She
told me she is transferring out of the army and I asked her why. She said,
“I have seven year-old twins and I have missed the last three birthdays. I
don’t want to miss any more.”
I told her that to honor her service I am
placing images of her two twins in the lining of her helmet. They will be
visible as the inside of her helmet faces forward.
She then got quiet, and thoughtful. “You’re doing a sculpture of me standing
in front of this wall looking at the names…and my fiancé’s name will be on
that wall.” During her first tour in Iraq, Amy was attached to a special
forces group and that’s where she met Aaron. She came home…he didn’t.
I met Amy after her first tour when we were taking reference photos for this
project. Soon after this, she received the news about Aaron. After she told
me their story, I told her that Aaron’s picture will be inside her helmet
along with her kids.
It’s profoundly humbling to realize that a hundred years from now, her story
will not be known to many, but we will have created an enduring image in
bronze that says forever, “This soldier was a mom and she carried a weapon
and she fulfilled her duty and she loved someone.”
These little details, along with the wedding ring on Washington, speak
softly yet powerfully about the dads and moms, sons and daughters, and
brothers and sisters who, as average Americans, become extraordinary when
they take the oath, raise their weapon, and stare into the face of our
enemies…so that we don’t have to.
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